Posts regarding the 2022 REPS SHOWCASE.

As reported Live by John and Larry Gassman this morning,  Lynda Day George  regrettably had to cancel her appearance at the 2022 SHOWCASE due to illness.  She expects to recover soon and hopes to attend a future REPS event in the very near future.

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Here are some Webinar links to different times of day we hope to have live feeds going, please have patience with us as we get this all figured out and remember we’re hoping to have recordings of all of this to share if the Webinars aren’t working.

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 Tommy Cook at the Microphone

“Good ol’ radio –  I still think it’s the finest medium in show business”  declared Tommy Cook  to an interviewer documenting early radio.  Of course we would have to agree with him.   It was in 1939 that Tommy did his first radio show.   It was a show for Arch Oboler, who Tommy considers the finest writer, producer, director in the history of the medium.  Oboler had become famous in Chicago for the horror series Lights Out, a series he wrote and produced from 1936 to 1939 after taking over from Wyllis Cooper.  “When Oboler left Lights Out he headed for California to produce programs of  eloquent writings” said Cook who was about 8 or 9 years old when he got that first radio gig with Oboler in the series Arch Oboler’s Plays.   A couple of month’s prior to his appearance on the show, Tommy’s mother had seen an article in a magazine announcing free auditions at NBC.  His mom cut it out and mailed it in to NBC and shortly thereafter Tommy  got an audition with the NBC Artists service, which was the network’s  in house talent agency.  When Oboler was casting one of the plays for his new series, the head of the Artists Service remembered Tommy and called him in to audition for Arch.  Tommy was hired and he went on the air.  Tommy believes that he ultimately got the role only because he had the youngest sounding voice.  Oboler called him in again to audition for  Arch Oboler’s Plays  for the  part of a German refugee boy.  At the audition Tommy mimicked some German accent that he must have heard and once again Oboler gave him the role.  “Evidently accents came easy to me” says Cook.  From then on Oboler began using him regularly in small parts here and there until the series folded in March of 1940.    However,  in October of that same year, Everyman’s Theater premiered on NBC.  This was a new sustaining series that Arch Oboler would write, produce and direct.   It was on this new series that Tommy would receive his first starring role on radio.  The play was titled Problem Papa and would feature the talents of Howard Duff and Mercedes McCambridge as his father and mother.   Arch was originally planning on hiring  a young actor back in Chicago in the role but was encouraged by Alla Nazimova ( a legendary Russian actress who had immigrated to the United States) to use Tommy instead.  Ms. Nazimova had taken notice of Tommy when they had worked together previously in an Oboler radio play.  Prior to this starring role on radio,  Tommy had appeared as Little Beaver in the 12 part Republic movie serial The Adventures of Red Ryder.  Interestingly enough this lead to his playing the role on radio when the series began broadcasting on the Blue Network in 1942.   He would continue as Little Beaver  for four years.  Beginning in 1943 and continuing until 1946 he would also play Alexander in the Blondie radio show on CBS and in the mid 40s he was hired to play Junior on the Life of Riley taking over from Conrad Binyon.  William Bendix starred as Riley with Paula Winslow as Peg.  Sharon Douglas played Babs until Barbara Eiler assumed the role in 1947.

Tommy was quite a busy actor running from show to show back in those heydays of radio.   It’s a situation not so very different from his experience at SHOWCASE each year.  Being such a versatile actor, Tommy is very much in demand for SHOWCASE productions that are performed throughout the weekend. Every director at the event wants to cast Tommy who ends up booked back to back in several shows throughout the day.  You can usually find him running from rehearsal to performance and back to rehearsal and so on.   It’s so reminiscent of those bygone days of radio.

We’ll certainly be looking forward to seeing Tommy again when he returns to appear at the 2022 Showcase – October 20-23.

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We are very excited to hear the news that screen legend Margaret O’Brien will be joining us for SHOWCASE 2022.   Not only does Margaret have an incredible resume of appearances in some of the very best and well known classic Hollywood movies, she was practically a regular on radio during the Golden Age.
Born Angela Maxine O’Brien; January 15, 1937)  she was to become an accomplished American film, radio, television, and stage actress. She began her prolific career as a child actress in feature films for Metro-Goldwyn-Mayer at the age of four, O’Brien became one of the most popular child stars in cinema history and was honored with a Juvenile Academy Award as the outstanding child actress of 1944.
O’Brien made her first film appearance in Babes on Broadway (1941) at the age of four, but it was the following year that her first major role brought her widespread attention. As a five-year-old in Journey for Margaret (1942), O’Brien won wide praise for her convincing acting style. By 1943, she was considered a big enough star to have a cameo appearance in the all-star military show finale of Thousands Cheer.  Also In 1943, at the age of seven, Margaret co-starred in, “You, John Jones,” a “War Bond/Effort,” short film, with James Cagney and Ann Sothern, (playing their daughter), in which she dramatically recited President Lincoln’s “Gettysburg Address.”
She also played Adèle, a young French girl, and spoke and sang all her dialogue with a French accent in Jane Eyre (1943). Arguably her most memorable role was as “Tootie” in Meet Me in St. Louis (1944), opposite Judy Garland.  For several years in the mid 1940s, Margaret O’Brien was voted by exhibitors as among the most popular stars in the country.
Among her Film credits include:

Lost Angel (1943)
Jane Eyre (1944)
The Canterville Ghost (1944)
Meet Me in St. Louis (1944)
Music for Millions (1944)
Little Women (1949)

Radio was a second home for Margaret O’Brien. She was regularly making appearances often reprising her role in radio adaptions of films she appeared in or as a requested guest star on a popular comedy variety program.
Selected Radio Credits:

Screen Guild Theater “Journey for Margaret”(April 5, 1943)
Lux Radio Theater “The Canterville Ghost”(June 18, 1945)
Lux Radio Theater”Meet Me in St. Louis” (Dec 2, 1946)
Philco Radio Time with Bing Crosby (May 28, 1947)
The Jimmy Durante Show (Dec 24, 1947)
Philco Radio Time with Bing Crosby (March 17, 1948)
Suspense “The Screaming Woman” (Nov 25,1948)
Lux Radio Theater “Little Women” (March 13, 1950)
The Big Show (Dec 24, 1950)

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